Major Arcana

Fool
Magician
Priestess
Empress
Emperor
Hierophant
Lovers
Chariot
Strength
Hermit
Wheel
Justice
Hanged Man
Death
Temperance
Devil
Tower
Star
Moon
Sun
Judgement
World

Court Cards

King
Queen
Knight
Page

Pips

Aces
Twos
Threes
Fours
Fives
Sixes
Sevens
Eights
Nines
Tens

 

 

 

 

 

 
Tarot of the Stars - Fool
(Tarocco delle Stelle)
Art and Text by Giorgio Tavaglione
Published by Dal Negro, 1991
Out of Print / Available from www.alidastore.com

DESCRIPTION

The Fool adorns himself in tattered rags and jingling green cap topped with a single white feather. A slender, muscular young man with clear blue eyes and curly red hair, he wanders along a straight and narrow mountain path: one boot on, one boot off. Sheer cliffs yawn on either side, and a vicious dog pounces from behind. Even so, the youth steps buoyantly on his way, his smile a symbol of his eternal, innocent optimism.

The Tarot of the Stars' Fool combines traits from many earlier incarnations. He is not the bare-buttocked and bearded gent from the TdM. He is not the well-heeled, carefree youth from the RWS. Yet his ragged clothes pay tribute to a long tradition of bedraggled Fools, and his radiant expression is clearly designed to exude the wonder and optimism traditionally associated with a Foolish outlook.

The customary pack, slung on a Wand, dangles over his right shoulder; in his left hand, he carries another Wand as a kind of walking stick.

NOTES

Two artistic preferences emerge again and again in Tavaglione's Tarot artwork: symbolic complexity and a tendency to render all individuals as long-boned, light-skinned comic book heroes or heroines. The Tarot of the Stars Fool is no exception to this rule.

Friends who see me use the deck either love the detail (the Fool, for example, is surrounded by a veritable swarm of Hebrew letters, signs of the Zodiac, and symbols for the elements) or find it impossibly busy. They either feel drawn to the brightly-colored and heavily-shaded line drawings, or find them inappropriate. This deck provokes extreme responses.

While numbered Zero, Tavaglione places the fool in position 21, between Judgement and The World.

The unique features of this Fool -- the treacherous mountain path in lieu of a cliff, the distinct impression the path runs through high altitudes, the viciousness of the Dog companion -- dictate (and reward!) further study and contemplation.

COMMENTARY

From the LWB (An unduly free* translation from the Italian):

The Fool (The Abyss)

Unaware of hazards, Impulsive.

Having attained the summit, every Adept person quickly realizes there are other summits, other mountains to scale. We realize and take into account that we have not, in fact, conquered all . and that all we have conquered is nothing.

Doing so, we behold the Great Mystery of Mysteries: All is made of nothing, and to nothing returns. Such truths are beyond reason. The Adept feels his own smallness, becomes aware of his nothingness. He understands any achievement is only part of a larger work that leads him indefinitely along an increasingly dangerous and difficult, straight and narrow path.

At this point, all measures of self-control and reason waver. There is a temptation to make do with what we have learned (and carry in the bag over our shoulders). The Fool proceeds from crevice to precipice, wavering and staggering like a drunkard. The Lunar dog, embodying impulses and temptations, chases him continuously.

Unconscious of the danger, "getting high" on the heights, The Fool dares to attempt what others, bound by rationality and fear, would never even consider. In the eyes of others, then, the Adept appears light-headed, floating along, impulsive and frivolous as the plume of his jester's cap.

The Fool risks a fall from his high wire . but is aided by his intuition. He moves in a world of limitless possibility, where the intellect is reigned in. He is the Prodigal, the wanderer who feels his goals instead of knowing them. Because his methods lie outside the spotlight of reason, they can appear almost mystical, leading some to think he would do well to trade in his torn, ragged clothes for the garb of the Magician!

This card is normally placed at the beginning or at the end of the Major Arcana. It completes the cycle, bringing us back, each time, to height and Light.

-------------------------------------------------------

* Translation is tricky business, especially when it's being done by someone with admittedly limited skill with Italian. This is not intended to be a textbook, ver batim translation of the original; instead, it attempts to capture the spirit and impact of that document. The process is admittedly imperfect, and is more an effort to share what I could gleam from the LWB with the rest of the CompTarot community than a formal translation.

-------------------------------------------------------

Mark McElroy (mark@hismailbox.com)